Nouvelles Vanités

Baron Lanteigne turns digital technologies on their head to reveal their materiality and potential. The hand, the central element of his work, becomes the prism through which he highlights the ergonomic limits of digital interfaces. Using a material specific to the virtual, Baron Lanteigne sees the hand not only as a control tool that maintains the balance of his virtual world, but also as a matrix or territory that questions the contortions that technologies impose on our bodies and gestures. By developing his own tools for real-time creation in his virtual environments, Baron Lanteigne is conducting research that brings artists physically closer to their medium, reintroducing gesture into the heart of the dialogue between creation and the digital. Through a performative creative process that leaves room for the artist's spontaneity, his works become traces of a fluid practice, capturing the evolution of his practice and its modes of dissemination.

Supported by :
QuebecFr
and the Conseil des arts et des lettres du Québec